Like its seagrass-green and ocean-blue company logo, Fudo Tetras public face exudes environmental friendliness as it presents itself as a steward of Japans beautiful natural patrimony. Gas exchange Also, it is manufactured by pouring concrete into molds. In their surveys of typhoon damage, Japans coastal engineers of the 1950s had brought attention to an issue that policymakers of the 1960s saw in terms of national economic development; they also, in effect, identified a market opening. The first phase of this 200-billion (approximately US$1.8-billion) project funded by the central Japanese government began in 2014after environmental impact studies and transplantation of existing coral and grassy seabedand is on track to be completed in time for the 2020 Tokyo Olympics. He did not blame yama for passing the publicly posted pattern to others (yama posted an apology for presenting the pattern as his own creation), but he did hold the makers of Tetogurumi responsible for seeking proper licensing from its true inventor. It sold well online and in selected boutiques. The seawall, as you might imagine, is a tall, sloped structure intended to keep the sea and the land somewhat apart. Moreover, 1950s Japan was still a time of getting by and making do, not one of adopting cutting-edge industrial innovations for coastal protection. He understands the widespread attraction to tetrapods from the viewpoint of a serious observer of industrial forms: When you look at them carefully, there are very few things with such unusual shapes. I always liked shapes, but that feeling was different from any other time. Another man also professed his attraction to the shape of tetrapods, buying a railway model kit only for the tiny plastic tetrapods that were included in it: I was just fascinated by their shapes. The bulk of the article is an interview with freelance photographer, writer, and industrial-form aficionado yama Ken, coauthor of Kj Moe (Factory affection), a photo book catering to factory and industrial-site otaku.
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